Click here to view Dr Short’s papers and publications on Cardiff Metropolitan University’s DSpace repository.
August 2013: ‘After Image’, Joint exhibition at the Emerson Gallery, Berlin.
October – November, 2011: Residency at Outlandia in Glen Nevis, Scotland, to produce a photo essay entitled ‘Solitude and the Sublime’.
August 2011: ‘Becoming’ – joint exhibition at The Old Library, Cardiff, South Wales.
September 9th – October 8th, 2010: ‘W.A.V.E. 2010: Borders and Edges’, joint exhibition at Wimbledon Space, Wimbledon College of Art, London.
June 2006: “Coney to Easkey”; surf-art collaboration. Funded by the Arts Council of England and UWIC. Documented and photographed in Sense in Place catalogue, funded by the EU culture 2000 programme.
2000: Collaborative project between Cardiff and Temple Bar Gallery and Studios. Final outcome exhibited in “Anois”, Temple Bar Gallery and Studios. Catalogue: Anois, published with assistance of Arts Council and Habitat and Sony Island. ISBN-0-9519146 9 3.
November 9th – 13th 1999: Video installation / Performance: “Writing Art and Institutions” at the Tate Gallery, St Ives.
March 16th – 20th, 1998: Video installation / Performance: “Practising Theory”, Chapter Art Centre, Cardiff. Reviewed by Cazeaux, C., in Live Art Magazine, Issue 21, 26 May – 2 August, 1998, 15-16
‘Kandinsky’s Animated Page: The Almanac
The Blue Rider as a Work of Art’ in Kathryn Brown (ed.),
The Art Book Tradition in Twentieth-Century Europe, Ashgate, 2013, pp.103-116. ISBN: 978-1-4094-2065-1
‘Time for a new Avant-Garde’, Axis, September 2012.
‘The role of mathematical structure, natural form and pattern in the art theory of Wassily Kandinsky: the quest for order and unity’, in
Meanings of Abstract Art: Between Nature and Theory, Edited by Paul Crowther, Isabel Wünsche, Routledge, 2012.
Concerning the Spiritual in Art‘ in Diana Newall and Grant Pooke,
Fifty Key Texts in Art History, Routledge, 2012.
The Art Theory of Wassily Kandinsky, 1909 – 1928: The Quest for Synthesis, Peter Lang Publishing Group, 2010.
“Kandinsky: recent exhibitions and publications”, in The Burlington Magazine, July 2009, Number 1276, Volume CLI, pp 472 – 475.
“Sense in Place: The Shoreline as Battleground”, in Clarkson and O’Reilly (eds.),
Sense in Place. Site-ations International, Europe 2005/06, Cardiff, 2007. ISBN: 978-1-905617-53-1
“Between text and image in Kandinsky’s oeuvre: a consideration of
Klänge in relation to the synthesis of the arts,” in
Tate Papers, November, 2006.
“The Place of St Ives in the Photography of Andy Hughes,” in
Dominant Wave Theory, Booth Clibborn Editions, 2006, ISBN 1-86154-284-4.
Schiele, Phaidon Press, London, 1997.
“An examination of the relations of the philosophy of Friedrich Nietzsche to the theme of the apocalypse in Wassily Kandinsky’s texts and images” , in
Image into Text, Text into Image, Editions Rodopi, 1997.
2008: British Academy Small Research Grants (£1700)
2008: Fellowship of the Société Kandinsky (7500 Euros)
2007: UWIC Extended Research Leave scheme.
1989 – 1992: British Academy Major State Studentship.