ORCID ID: 0000-0003-4577-1012
M.U.S.H - Mycelium Utilisation for Sustainable Housing (Innovate UK; with Severn Oaks Modular, Cardiff Met and Cardiff Fab Lab 2023-2024) Co-I overseeing design and fabrication for Fab Lab.
Clwstwr (£5.6m AHRC; Cardiff University, USW, Cardiff Met 2020-2023). One of 12 Co-Investigators assigned to the selection and delivery of funded projects in the creative media industries across South Wales.
SMART Expertise Developing a Data Physicalisation Framework DAPTEC (£217k, Welsh Government funding with The Yard Data Agency and Cardiff Council 2020-2021). Co-I Developing the creative communication of ecological data relating to Flat Holm Island. Collaboration between CST and CSAD.
European Art Science Technology Network EASTN (£1.17m project across 15 international partners funded by Creative Europe / EU 2018-2021). One of four Cardiff based Co-investigator / creators.
Pigott, J. et al. 2022. Data Impressions for a Smart City: Exploring New Ways to Present and Engage Citizens in Environmental Data. Journal of Smart Cities and Society 1(2): 149 – 162.
DOI: 10.3233/SCS-220002
Pigott, J., Saario, A. 2021. Speaker Park: An intersection of Loudspeaker Design and Post-Acousmatic Composition. In Hepworth-Sawer, R., Paterson, J. and Toulson, R. (eds.) 20201. Innovation in Music: Future Opportunities. London / New York, Routledge.
ISBN 9780367363352
Pigott, J. 2019. 'Material Systems: kinetic sound art and STS'. In Borgdorff, H., Peters, P. and Pinch, T. (eds.), 2019.
Dialogues Between Artistic Research and Science and Technology Studies. London / New York, Routledge.
Pigott, J. 2017. Across Fields: sound, art and technology from an electromechanical perspective.
Organised Sound 22(2) p276-285.
https://www.cambridge.org/core/journals/organised-sound
Pigott, J. and Lyons, A. 2017. 'The Aliveness Machines'. In Bastian, M., Jones, O., Moore, N., and Roe, E., (eds) 2017 Participatory Research in More-Than-Human Worlds. London / New York. Routledge.
https://www.routledge.com/Participatory-Research-in-More-than-Human-Worlds/Bastian-Jones-Moore-
Pigott, J. and Murphy, I. 2016.
The Campanologists Teacup: a creative collaboration of technology and making. Making Futures Journal Vol 4. Available online:
http://makingfutures.plymouthart.ac.uk/2015/journal-home/
Pigott, J and Lyons, A. 2012. Lab Report: Shadows and Undercurrents.
Ubiquity: Journal of Pervasive Media 1(2) pp2 79-293.
https://doi.org/10.1386/ubiq.1.2.279_7
Pigott, J. 2011. Vibration, Volts and Sonic Art. Proceedings of New Interfaces for Musical Expression (NIME) pp84-87.Universtiy of Oslo, Norway.
http://doi.org/10.5281/zenodo.1178133https://www.nime.org/archives/
Exhibitions
2022 – Techniquest, Cardiff. DAPTEC Flat Holm Island data physicalisation.
2019 -
Digital Design Weekend; Victoria and Albert Museum, London.
The Ceramophone.
2019 -
Borealis Festival of Sound Art; WRAP, Bergen, Norway.
Speaker Park.
2019 / 2018 - Ruthin Craft Centre Denbighshire; Llantarnam Grange Arts Centre Cwmbran; Mission Gallery Swansea; Aberystwyth Arts Centre Aberystwyth.
The Ceramophone and
The Campanologists Tea Cup (collaborative with Ingrid Murphy)
2017 – Kinetica, London.
Electromagnetic Interrogations
2015 – British Ceramics Biennale, Stoke-on-Trent.
The Campanologist's Tea Cup (collaborative with Ingrid Murphy).
2014 – The Sensorial Object, Cardiff.
The Campanologist's Tea Cup (collaborative with Ingrid Murphy).