Dr Nicholas Taylor-Collins

​ ​ ​ ​ ​Cecilia Hannigan-Davies ​Position:Lecturer in English
​School:​ Cardiff School of Education and Social Policy
​E- mail: ntaylor-collins@cardiffmet.ac.uk
​ Telephone:​02920 201566
​Room No:​B114

 

Research

Memberships:

  • Fellow of the Higher Education Academy
  • National Executive Council of the British Association of Irish Studies (2018-20)
  • International Association of Studies in Irish Literatures
  • British Shakespeare Association
  • European Shakespeare Research Association
  • Council for the Defence of British Universities

Research Interests:

  • Modern and contemporary Irish literature
  • Literary and cultural theory, esp. the work of Jacques Derrida, Maurice Blanchot and Giorgio Agamben
  • Thanatology
  • William Shakespeare

Publications

Publications under contract

Monograph

Taylor-Collins, Nicholas, Shakespeare, memory and modern Irish literature (Manchester University Press, forthcoming 2021).

Journal

Zuntini de Izarra, Laura, Taylor-Collins, Nicholas and Schwall, Hedwig (eds), 'Word upon world: half a century of John Banville's universes', special issue, Brazilian Journal of Irish Studies (ABEI) (forthcoming July 2020).

Guidebook

Taylor-Collins, Nicholas, Judge for Yourself: Reading Contemporary Literature and Book-Prize Shortlists [60,000 words] (Oxford: Routledge, forthcoming 2020).

Publications in press

Article

Taylor-Collins, Nicholas, 'The City's Hostile Bodies: Coriolanus' Rome and Carson's Belfast', Modern Language Review, 115.1 (January 2020).

Publications in print

Edited collection

Taylor-Collins, Nicholas and van der Ziel, Stanley (eds), Shakespeare and Contemporary Irish Literature (Basingstoke: Palgrave Macmillan, 2018).

Articles and essays

Taylor-Collins, Nicholas and van der Ziel, Stanley, 'Introduction: Shakespeare, Ireland and the Contemporary', in Shakespeare and Contemporary Irish Literature (Basingstoke: Palgrave Macmillan, 2018), pp. 1-25.

Taylor-Collins, Nicholas, 'Moving the Statue: Myths of Motherhood in Eavan Boland, Shakespeare, and Early Modern Culture', in Shakespeare and Contemporary Irish Literature (Basingstoke: Palgrave Macmillan, 2018), pp. 71-97.

___, 'The Duke's Hospitable Return in Measure for Measure', Notes & Queries, 65.4 (2018), 538-9.

___, '"Remember me": Hamlet, memory and Bloom's poiesis', Irish Studies Review, 25.2 (2017), 241-58.

Collins, Nicholas, '"This prison where I live": Ireland takes Centre Stage', Cahiers Elisabéthains, 88.1 (2015), 125-38.

___, '"[L]ike a shoal of fish moving within a net": King Lear and McGahern's Family in Amongst Women', in John McGahern: Critical Essays, ed. by Mullen, Bargroff and Mullen (Oxford: Peter Lang, 2014), pp. 113-36.

Public engagement

Taylor-Collins, Nicholas, 'Why Trainspotting's Danny Boyle is the right man to help James Bond save Brexit Britain', theconversation.com (23 July 2018).

___, 'Christmas nostalgia is something to be wary of, according to literary greats', theconversation.com (20 December 2017).

Collins, Nicholas, 'Heartache in Remembering 1916', theirishrevolution.ie (March 2016).

Reviews

In press

Taylor-Collins, Nicholas, 'Revised Version: From There to Here: Selected Poems and Translations (Ciaran Carson)', Irish Literary Supplement, 39.1 (Fall 2019).

In print

Taylor-Collins, Nicholas, 'Poets and the Peacock Dinner: The Literary History of a Meal (Lucy McDiarmid)', Notes & Queries, 64.3 (2017), 514-15.

___, 'The Irish Dancing: Cultural Politics and Identities, 1900-2000 (Barbara O'Connor)', Irish Studies Review, 25.1 (2017), 122-4.

Collins, Nicholas, 'The Celtic Revival in Shakespeare's Wake: Appropriation and Cultural Politics, 1867-1922 (Adam Putz)', Irish University Review, 45.1 (2015), 181-5.

___, 'W. B. Yeats's A Vision: Explications and Contexts (ed. by Mann, Gibson and Nally)', Irish Studies Review, 21.4 (2013), 488-90.

___, 'The Myth of Manliness in Irish National Culture, 1880-1922 (Joseph Valente)', Irish Studies Review, 20.3 (2012), 338-40.

___, '"This Earthly Stage": World and Stage in Late Medieval and Early Modern England (ed. by Hirsch and Wortham)', Shakespeare in Southern Africa, 24 (2012), 71-4.

Projects

In Shakespeare, memory and modern Irish literature I address the memory of Shakespeare that is foregrounded when we now commemorate the emerging modern Irish nation-state, and its constituting literature throughout the twentieth century. Shakespeare is shown to be an originary locus of literary memory, without whom modern Irish literature could not have been formed.

In my next project, 'Death in John Banville's fiction and beyond', I outline the importance of thanatology to Banville's fifty-year career. Through ageing, inheritance, murder, illness, the death drive, and non-human death, I offer a new way of thinking about Banville's writing as urgent and contemporary. I also break the critical mould by examining Banville's fiction longitudinally, and not just through the thematic arrangements in which the author has written them.

In Judge for Yourself: How to Read Contemporary Literature and Book-Prize Shortlists I explore the world of book prizes, and offer a guidebook for how to read hyper-contemporary literature—that is, writing that has not yet gathered a critical consensus—in light of pressing socio-political topics. These topics include fourth-wave feminism, postcolonialism, and queerness, as well as the problem of the canon, non-literary genres and the current political climate.

Profile

I joined Cardiff Metropolitan University in September 2019, having spent two years as a lecturer at Swansea University. I previously taught at the University of Warwick, where I was also a postdoctoral associate fellow. I completed my BA (Hons) at the University of Warwick, my MA at The University of Manchester (funded by the AHRC) and my PhD back at Warwick. My thesis, completed in 2015, examined the interconnections between the emergence of 'English' literature in and through Shakespeare's drama—among other early modern writers—and the emergence of modern Irish literature in the twentieth century.

My monograph, Shakespeare, memory and modern Irish literature (Manchester University Press, forthcoming) builds on the thesis but narrows the focus to a particularly disruptive strain of memory ('dismemory') that conditions the connection between Shakespeare and twentieth-century Irish writers. Alongside Dr Stanley van der Ziel, I co-edited Shakespeare and Contemporary Irish Literature (Palgrave Macmillan, 2018) in which collected essays from esteemed academics across to Europe explored the Shakespeare-Irish literature connection. On the same topic, I have published articles in Irish Studies Review, Cahiers Elisabéthains, Notes and Queries and Modern Language Review.

For my next project, I will examine the representation of death in the fiction of Irish novelist John Banville. In 2018 I won a Santander Mobility Grant to travel to the W.B. Yeats Chair at the University of São Paulo, Brazil, where I delivered a lecture on the topic of ageing in Banville's fiction. This will be the first chapter of my next book, and will also be published in a special issue of the Brazilian Journal of Irish Studies (ABEI) on the topic of John Banville which I am co-editing with Professor Laura Zuntini de Izarra and Dr Hedwig Schwall (July 2020).

In 2019 I won an Outstanding Contribution to Employability Award and an award for the Best New Module at Swansea University. Both were awarded for my work designing and convening the International Dylan Thomas Prize module at Swansea University.

I am interested in supervising PhD topics in any of the above, and more widely on modern/contemporary Irish writing and/or literary and cultural theory.

For more information, follow me on Twitter @n_taylorcollins, and check out my blog at https://hypercontemporarylit.art.blog.