Drayson, H and Woodward, M (2015) ‘Thinking About Fittingness’, In Blassnigg, M., Punt, M., Drayson, H and Woodward, M. (eds)
Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research Open Access Papers.
Woodward, M (2015) ‘From Interaction to Correspondance: A Review of Tim Ingold’s Bodies on the Run’, In Blassnigg, M., Punt, M., Drayson, H and Woodward, M. (eds)
Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research Open Access Papers.
Knight, J., Woodward, M. (2014) ‘A Media-Archaeology of Art or an Art of Media-Archaeology?’.
Art Matters 2014, University of Barcelona, Dec 11-12.
Woodward, M (2014) From Interaction to Correspondance: An Archaeology of Visual Style’, TAG 2014, University of Manchester, Manchester, 17-20 Dec.
Woodward, M (2014) ‘A Monstrous Rhinoceros (As From Life): The Epistemological Role of the Enacted Pictorial Image.’ Yung, S.T, and Peibalga, A. Designing the Relationship between Humans and Technology. Cambridge Scholars Publishing
Egbe, A and Woodward, M. (2013) ‘The (im)material Aspects of Film Duplication: The Optical Printer as Philosophical Apparatus’, Deep History, Contingency and the Sublime, TTOA, Chepstow: Post digital Press
Woodward, M (2013) ‘A Shifting Sense of Human Scale: Tracing ‘Deep Time’ Aspects of Human Depiction’, TAG on-sea 2013, Bournemouth University, Bournemouth, 18-20 Dec.
Woodward, M. (2013) ‘ Archaeologies of Deep Time: Images of Tension and Scale’, Public Dialogues: At the Interlude between Body, Artifact and Discourse. Plymouth Arts Centre, Plymouth, July 12-14.
Woodward M (2013) ‘An Enacted Choreography Between Perceiver and Perceived’. The Lure of the New, Cognition Institute, Plymouth University, UK. March 20-22 2013.
Woodward, M (2013) ‘A Staging and Choreography of Theatrical Play: A Brechtian Aesthetic for Popular Culture.’ Jahrmann, M. and Felderer, B. (eds) Play & Prosume: Technology, Exchange and Flow, Vienna: Verlag für moderne Kunst Nürnberg GmbH, pp. 32-37
Woodward, M. (2013) ‘Being Through Painting and Weaving: A Brief Commentary on Intuition’, Deep History, Contingency and the Sublime, TTOA, Chepstow: Post digital Press
Woodward, M (2012) ‘An Electric Deep Time to the Modern Imagination’, L|R|Q 2.02, pp. xix-xx
Woodward, M (2012) ‘Artifacts, Entanglements & Deep History: A Reflection on the Sublime in Art and Science’, L|R|Q 2.01, pp. xi-xii.
Woodward, M (2011) ‘Selling the Immaterial: Avant-garde Practices and Commercial Advertising Forms’, TEF Expert Seminar: Play and Prosume. Kunsthalle Project Space Karlsplatz, Vienna, 13 July.
Woodward, M (2011) ‘The [Unseen] Modernist Eye: Minimalism, Defamiliarization and the Advertising Film’, Transtechology Research Reader 2011. Plymouth: Plymouth University.
Woodward, M (2010) ‘A Brief History and Theory of Not Looking: Toward a Field Theory of the Audiovisual’, Transtechnology Research Reader 2010. Plymouth: Plymouth University, pp. 106–120.
Woodward M (2010) ‘A field Theory of the In-De-Visible’. Boundary Works I, Wandesford Gallery, Cork, Republic of Ireland.
Woodward, M, (2017) 'Vital things': the entangled lives of objects and people. Lufkin Coffee, Cardiff, May 21.
Cazeaux, C., Johnstone, A., Woodward, M, (2017) ‘I speak, therefore, the world’, Art & Philosophy: Salon style Debate, Octavo’s Book and Wine Bar, Cardiff, May 2.
Cazeaux, C., Johnstone, A., Stickler, O., Woodward, M., Wooley, D. (2017) ‘I phone, therefore I am’, Art & Philosophy: Salon style Debate, Octavo’s Book and Wine Bar, Cardiff, May 9.