Smith, E., Woodward, M. (2021) 'Mimetic Transactions: Across bodies, Materials and Environments', Posthuman Mimesis: Embodiment, Affect, Contagion, KU Leuven, May 20-22, 2021.
Woodward, M. (2021) 'Practicing Interdisciplinarity: Developing Interdisciplinary knowing and Doing', Interdisciplinary Learning and Teaching Conference Interdisciplinarity in Practice and Action, University of Warwick, 2 April 2020
Momani, S., Hussain, F., Woodward, M., Counsell, J. (2020) 'The State of the Field Work Module in Graphic Design Courses in Jordanian Universities' The International Journal of Design Education.
Barritt, L. Woodward, M and Thompson, S. (2019). Rendering reality: a speculative approach to the life-world of adolescent artists. Experimental Engagements, SLSA November 2019: University of California Irvine. Metatechnicity Research : Cardiff School of Art & Design: Cardiff Metropolitan University.
Seckam, A. Thompson, S. and. M, Woodward. (Convenors). Dialogues: The intertwined tapestry of art and science. Art/Science Exchange Workshop. Symposia. Cardiff, November 2019. Metatechnicity Research and Biochemical Society.
Woodward, M. and H, Hill. (2019). Breaking Chains & Following Meshes: Indigenous Cosmologies, Relational Thought and Creative Practice. Presented at: Art in the Anthropocene. Trinity College, Dublin. June 2019.
Woodward, M. (2019) 'Metaplasticity Rendered Visible in Paint: How matter 'matters' in the lifeworld of Human action. Phenomenology and the Cognitive Sciences. February 2019, Volume 18, Issue 1, pp 113–132
Stuart, C., and Woodward, M. (2019) 'I've Drawn, like, Someone who was the World": Rendering Organism-environment Couplings Visible through Participant-generated Drawings of Yoga'. Body & Society. Sage
Drayson, H and Woodward, M (2015) ‘Thinking About Fittingness’, In Blassnigg, M., Punt, M., Drayson, H and Woodward, M. (eds) Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research Open Access Papers.
Woodward, M (2015) ‘From Interaction to Correspondance: A Review of Tim Ingold’s Bodies on the Run’, In Blassnigg, M., Punt, M., Drayson, H and Woodward, M. (eds)
Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research Open Access Papers.
Knight, J., Woodward, M. (2014) ‘A Media-Archaeology of Art or an Art of Media-Archaeology?’.
Art Matters 2014, University of Barcelona, Dec 11-12.
Woodward, M (2014) From Interaction to Correspondance: An Archaeology of Visual Style’, TAG 2014, University of Manchester, Manchester, 17-20 Dec.
Woodward, M (2014) ‘A Monstrous Rhinoceros (As From Life): The Epistemological Role of the Enacted Pictorial Image.’ Yung, S.T, and Peibalga, A. Designing the Relationship between Humans and Technology. Cambridge Scholars Publishing
Egbe, A and Woodward, M. (2013) ‘The (im)material Aspects of Film Duplication: The Optical Printer as Philosophical Apparatus’, Deep History, Contingency and the Sublime, TTOA, Chepstow: Post digital Press
Woodward, M (2013) ‘A Shifting Sense of Human Scale: Tracing ‘Deep Time’ Aspects of Human Depiction’, TAG on-sea 2013, Bournemouth University, Bournemouth, 18-20 Dec.
Woodward, M. (2013) ‘ Archaeologies of Deep Time: Images of Tension and Scale’, Public Dialogues: At the Interlude between Body, Artifact and Discourse. Plymouth Arts Centre, Plymouth, July 12-14.
Woodward M (2013) ‘An Enacted Choreography Between Perceiver and Perceived’. The Lure of the New, Cognition Institute, Plymouth University, UK. March 20-22 2013.
Woodward, M (2013) ‘A Staging and Choreography of Theatrical Play: A Brechtian Aesthetic for Popular Culture.’ Jahrmann, M. and Felderer, B. (eds) Play & Prosume: Technology, Exchange and Flow, Vienna: Verlag für moderne Kunst Nürnberg GmbH, pp. 32-37
Woodward, M. (2013) ‘Being Through Painting and Weaving: A Brief Commentary on Intuition’, Deep History, Contingency and the Sublime, TTOA, Chepstow: Post digital Press
Woodward, M (2012) ‘An Electric Deep Time to the Modern Imagination’, L|R|Q 2.02, pp. xix-xx
Woodward, M (2012) ‘Artifacts, Entanglements & Deep History: A Reflection on the Sublime in Art and Science’, L|R|Q 2.01, pp. xi-xii.
Woodward, M (2011) ‘Selling the Immaterial: Avant-garde Practices and Commercial Advertising Forms’, TEF Expert Seminar: Play and Prosume. Kunsthalle Project Space Karlsplatz, Vienna, 13 July.
Woodward, M (2011) ‘The [Unseen] Modernist Eye: Minimalism, Defamiliarization and the Advertising Film’, Transtechology Research Reader 2011. Plymouth: Plymouth University.
Woodward, M (2010) ‘A Brief History and Theory of Not Looking: Toward a Field Theory of the Audiovisual’, Transtechnology Research Reader 2010. Plymouth: Plymouth University, pp. 106–120.
Woodward M (2010) ‘A field Theory of the In-De-Visible’. Boundary Works I, Wandesford Gallery, Cork, Republic of Ireland.
Woodward, M, (2017) 'Vital things': the entangled lives of objects and people. Lufkin Coffee, Cardiff, May 21.
Cazeaux, C., Johnstone, A., Woodward, M, (2017) ‘I speak, therefore, the world’, Art & Philosophy: Salon style Debate, Octavo’s Book and Wine Bar, Cardiff, May 2.
Cazeaux, C., Johnstone, A., Stickler, O., Woodward, M., Wooley, D. (2017) ‘I phone, therefore I am’, Art & Philosophy: Salon style Debate, Octavo’s Book and Wine Bar, Cardiff, May 9.